Reassurance (And Why I’ll Remain Behind the Camera)

Posted November 16th, 2008 at 2:11 pm by C47

If you survived the 2 years in Film School, you’ll do fine in Hollywood.

Said by Ali Bell, visiting alumni.

Sorry I can’t write more, I’m in the midst of a perfect storm and potential breakdown (Update: storm has passed).

But on another note, I should probably remain behind the camera:

“I’m here with my mom actually who’s up here for homecoming, we we came to the marketplace to kinda hang out. I mean it’s always fun, it’s kinda cool to see local venues and stuff.” says Joey Daoud, a FSU Film School Student

They actually recorded that on-camera, but for some reason it never aired. I guess I was too articulate for them. I did, however, warn them that I was in fact dragged to the marketplace against my wishes.

And to show how small a film world it is, I found out the person interviewing me is the girlfriend of one of the actors who’s been in many, many films.

Oh, and new Watchmen trailer:


Posted in Career, Film School | 1 Comment

Coffee Break - Blue is the New Red Huge Roast of Links

Posted November 5th, 2008 at 2:16 pm by C47

So a while back I used to post cool links each Wednesday for a Coffee Break series. For many reasons (mainly time and laziness), I haven’t posted cool links in a while. But I still have a bunch saved up.

So in the spirit of new beginnings, I’m just going to offload everything I’ve had stored up and start fresh.

And just to recap why yesterday was one of the greatest days of my life: Voted in my first presidential election, free Starbucks, free Krispy Kreme, got an iPhone(!), ScottDobie thought my tweetI feel like today is the day Frodo tosses the ring into Mount Doom” was wittier than both Leo Laporte and John Hodgman, watched the election results at the Democrat results party with all my friends, and the good guy finally won!

The best part - Obama robot at Disney’s Hall of Presidents!

Now enjoy the links.

The company now offers celebrity wannabe packages, including the A-List—Ariel’s choice—which gives clients four personal paparazzi for 30 minutes and a mock-up of a high-gloss tabloid magazine cover with their picture, for $730. The Superstar package ($990) lasts for an hour and the Megastar ($3,000) provides clients with six paparazzi for two hours, limo service, a publicist and a bodyguard. And for customers who hope to get into places like the Waverly Inn or La Esquina just because of the scene they’re setting, it’s priceless, says Drew Tinnin, Celeb 4 A Day’s New York manager. “We’ve gotten people past the velvet rope. Restaurants and clubs usually like the attention we get them when we show up with our clients.”

15 Minutes of Fame, On Sale Now | Page Six Magazine | The New York Post.

Objectified: A Documentary Film by Gary Hustwit - On seven years in the indie film business

From the director of my fav Helvetica on how he’s made a living doing small documentaries.

The Gentleman’s Guide to the Calling Card | The Art of Manliness (via Chic and Charming)

Documentary Club - If you like documentaries

Hi-Res Star Trek Comic-Con Posters - Movie News

Day 1, Chip Heath on Flickr - Very cool illustration explaining the must-read book ‘Made to Stick

Full List of Stuff White People Like « Stuff White People Like - Very funny. One of the fastest Blog-to-Book examples

indieWIRE: FIRST PERSON | Film Department’s Mark Gill: “Yes, The Sky Really Is Falling.” - I plan to write more about this, but if you haven’t read it - do so

Channel 4 recreates The Shining to promote its Kubrick season | Media | guardian.co.uk

2008 Design Trends - Very cool designs for inspiration

Metropolis « Finding Some Direction - The missing reels from Metropolis have been found. This is so amazing.

The Steady Approach Part 2 | B&H Photo Video Pro Audio (via Coudal) - Interview with Garrett Brown, inventor of the Steadicam

The Media Equation - Little Movies, Big Problems - NYTimes.com - Indie films not doing so hot

Filmmaker Magazine | Spring 2008: NO VACANCY - The Visitor, the only indie film that did pretty good this year

Typeface - Documentary on Typeface. I have a feeling I’ll like this film. Helvetica and Typeface box set coming soon? Wingdings as a special feature?

The Simple Dollar » How To Write an Effective Thank You Note for Any Occasion

The Ira Glass Guide to Link Bait | Copyblogger

Cat got your tongue, follow these tips — Young Go Getter

What Does A Stylish Man Look Like?

Grocery List: Never Forget an Item at the Supermarket - These two links good for craft service shopping

grocerylists.org | FREE DOWNLOADABLE GROCERY LIST

Mastering the Informational Interview - Shifting Careers - Small Business - New York Times Blog

russell davies: how to be interesting

the media artist: Are You Interesting?

Prepping for Warren Buffett: The Art of the Elevator Pitch (Videos) | The Blog of Author Tim Ferriss

johnaugust.com » Scripting a short film

johnaugust.com » Rethinking motivation

From the Heart Productions :: The Roy W. Dean Film and Writing Grants

Ultimate Video Relay | How it Works

south by southwest festivals + conferences

The Best Places to Watch Documentary Movies Online | MakeUseOf.com

2008 Animated Shorts Nominees — OZOUX.COM


Posted in Budgeting, Cinematography, Coffee & Celluloid, Equipment, Pre-Production, Preparation, Production | No Comments

American Teen and How it Was Made [Documentary]

Posted August 27th, 2008 at 12:55 am by C47

I loved this movie. It was by far my favorite film at Full Frame. I’ve noted before how I’m on the fence about going into narratives or docs. This proved you can accomplish both.

Following four high school seniors, American Teen was like watching all the best high school classics - Sixteen Candles, Fast Times, Risky Business, Mean Girls - but it’s all true.

The film feels so much like one of the above movies that I forgot these were real people, my age, that had a history before the film and a life after.

This main shock came when I looked at their Facebook fan pages and they had the usual ‘my life in an album’ pictures. This is just a testament to how well the film was made.

Hopefully this will be one of those few docs that will break its way into the mainstream and hold its own against the Hollywood blockbusters.

I really wondered how Nanette Burstein, the director, got such candid shots and access to these teen’s lives, so the Q&A was quite enlightening.

There were lots of pre-interviews and location scouting to find high schools that would cooperate. In the end 10 high schools agreed. They did a casting call to pick who they would follow.

They started following quite a few students, but once the school year and stories unfolded, Nanette was able to focus on who she would feature.

In the beginning the students were still getting used to having a camera follow them, so none of the footage was usable.

Eventually they got used to the camera, and a second camera crew was around all the time, allowing for some nice cutting. Nanette had a small camera on her just in case.

Some of the most intimate moments caught (like filming the girlfriend of one of the main characters cheating on him during a late night swim) were a matter of coincidence and being at the right place. There were a lot of times when the students didn’t want her filming, but what they thought was private didn’t really interest Nanette.

I did stumble across this photo, which looks like they had some serious toys for B-roll (and a serious budget).

I strongly encourage you to watch this any way possible. It’s on a limited theater run, and if it’s not playing near you, since A&E produced it they’ll be screening it.

And of course there’s Netflix. The only thing there isn’t is an excuse, so check it out.

[This post is part of a series about the documentaries I saw at the Full Frame Documentary Film Festival]