Andrew Interviews Himself

by Andrew on February 26, 2010

Taken outside an upscale bar in Madrid.

Who the hell are you?

I’m a 25 year old filmmaker. I went to the FSU Film School and graduated with a BFA in film production. I live in Miami and try to keep busy. I work primarily as an editor and TV producer for a show called ArtStreet, which airs on WLRN-TV (Miami’s PBS affiliate) and I’m currently editing a feature film directed by fellow CC contributor Cherie Saulter. I’m fascinated by New Media and I own a banjo that I do not know how to play.

What are you doing in Miami anyway?

I’m working on stuff.

Why are you still there?

The real question is: why aren’t you here? It’s gorgeous!

No seriously, shouldn’t you be in LA?

Probably. To quote a friend, “it’s inevitable, I guess.” I’m just delaying.

What’s next? Any plans?

Yes! In addition to the TV producing, the editing and the Borscht Film Festival, I’m developing a webseries titled “The Adventures of a Sexual Miscreant.”

Do you have anything to say about yourself, perhaps in third person?

Yes. Yes I do:

Andrew Hevia is a TV producer, editor and filmmaker. He has worked on reality TV shows and major Hollywood productions and is most proud of his time in San Francisco, where he interned at McSweeney’s Publishing, the company founded by the accomplished writer, publisher and TED award winner Dave Eggers. He works closely with the Borscht Film Festival in Miami doing all manner of ridiculous things.

If there were a list of things that Andrew likes most, number twenty-seven on that list would be writing biographies in third person. Also on that list would be vegetarian restaurants in San Francisco and stories about robots in love.

Robot in Love

"Android Falls in Love"

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Kickstarter and Flattr

by Joey on February 24, 2010

I want to briefly touch on two fundraising websites/programs because I’ll be writing a lot more about them soon (at least on Kickstarter).

Since I just mentioned Kickstarter, I’ll start there. We briefly talked about this in the last podcast, but just in case you missed it, Kickstarter is a site where you create a project, set your budget and set a deadline. You create different levels of funding, such as if someone gives $10 they get a CD for the album you’re trying to record or a digital copy of the movie you’re trying to make, or $2,500 gets them a producer credit. The difference with Kickstarter is people pledge the money, and the money is only withdrawn if you reach your goal. This lowers the risk on the funders’ part, so if you don’t reach the amount you need to complete your project, then no one has to put their money in.

I have a few posts lined up on this for a project I’m about to post, such as the most common donation levels and which levels people are most likely to give to, along with a list of things you can offer to funders.

But in the meantime there’s a good article on Documentary.org called The Kickstarter Effect: Fundraising as Game Theory. It’s a good writeup on how the filmmakers of Battle of Brooklyn raised $25,000 in 30 days for their film.

Another good article is on Ted Hope’s blog from Miao Wang On The Secrets of Her Kickstarter Success, where she describes how she raised $10,000 in 30 days to send Beijing Taxi to SXSW. However my two points of contention with this article are a) she didn’t see the donations pouring in until she mentioned the film was premiering at SXSW, and b) half that amount came from one guy. “The biggest pledge for our campaign actually came from someone who just stumbled upon the project while browsing Kickstarter…He decided he liked the project and went ahead with a pledge at the $5000 level!”

Like I said, I’m about to post a project on it for Bots High so I’ll see how it goes.

Website 2 is Flattr. It aims to allow content creators to make some money on their content (semi ironically Flattr is from the creator of The Pirate Bay). So the way I understand it, you sign up with Flattr and have it deduct a certain amount every month, say $30. You go online like you normally do, and if you read an article you really like, or see a movie or photo that jives with you, you click a Flattr button (I’m assuming something similar to ‘Digg This’ or ‘Tweet Me’) and that person gets a piece of your pie.

Then, depending on how many Flattrers(?) you give in the month, that number is divided by your $30 and sent to all those content creators. So if you liked 30 things, each creator gets a dollar. If you liked 1, then that person gets all $30. Check out the video below for a visual explanation.

The idea is if many people contribute, it can make a sizable sum for content creators, and maybe give something back to them.

Either way I’m curious to see how it pans out. However, for now we’ll have to wait until it gets out of private beta.

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Coffee and Celluloid New Podcast

Feature Film Editing and Kickstarter [Podcast]

by Joey on February 22, 2010

Episode 2

Andrew, Cherie, Carlos and I gathered around the kitchen table over ice cream last week as we discussed the editing process of Cherie’s first movie, No Matter What, and a Kickstarter project I’m about to post. Expect to hear a lot more about both subjects in the future.

Remember to subscribe in iTunes.

The podcast has chapter marks, but here’s a quick rundown:

  • 1:17 – Discussion on Film Runtimes
  • 5:06 – Editing while Shooting
  • 11:48 – Set Paperwork
  • 15:53 – Existential Editing
  • 21:00 – Film as Architecture
  • 22:54 – Kickstarter

[Attribution-Share Alike 3.0 United States]

This podcast episode has a Creative Commons Attribution-Share Alike license. Basically you can share and reuse this episode however you like, but all I ask in return is that you also share it and you Coffee and Celluloid by linking back to this page.

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Who is Carlos?

by Carlos on February 21, 2010

Carlos posing in front of the New York Skyline

Carlos in Williamsburg, Brooklyn

Background

I was born in Brooklyn, New York sometime in the 1980’s. I graduated high school from Coral Reef Senior High in Miami with a diploma from the International Baccalaureate Academy (which may not be a big deal but 7 years later I’m still waiting for that 23 page paper I wrote on the Louisiana Purchase to pay-off somehow so I’m going to mention that I got my IB diploma and pretend it counts!) and I received a Bachelors Degree in Fine Arts from Florida State University College of Motion Picture Arts.

I have experience working at the offices of Focus Features/Rogue Pictures, Ed Pressman Films and Digital Arts in New York City. I have also worked professionally on sets in various capacities: from Director of Photography to First Assistant Director to Production Assistant to coffee-runner and so on and so forth.

Currently, I live and work in Miami writing, producing, directing, editing and narrating original segments for the PBS/WLRN television show, “Artstreet.” I also edit freelance and work as much as possible in as many capacities as I can (the more you know…).

Still image of outdoor theatre in Central Park, NYC

I take pictures too!

Dreams

My only dream was to grow a nice mustache of gentlemanly stature and decorum. With that dream now realized my new dream is to take the old dream (mustache) on as many awesome adventures as I can that it might develop a dream of its own someday and off into the sunset we will dream together forever… The dream dreaming with its creator as one.

I’d also like to circumnavigate the globe in a sailboat and direct a feature film someday.

Health Insurance is another dream.

Vitals

Height: 6’2”
Build: Former-athlete
Favorite Movies: Anything good from Charlie Chaplin to Charlie Kaufman.
Favorite Music : Anything good from Handel to the Wu-Tang Clan.

Posters of Starship Troopers and Synecdoche, New York films

Starship Troopers & Synechdoche, New York (are under-appreciated)

In My Opinion

Starship Troopers & Synecdoche, New York are the two most underappreciated films of the last 25 years.

Florida State University Football is going to get a lot better under Jimbo Fisher.

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Coffee and Celluloid Grows 300%

by Joey on February 17, 2010

When I started this blog about 3 and a half years ago, it was a one man show to document some of my film school experiences. For a while it was also a one audience show.

The direction of the blog was pretty straight forward – write about what I’m doing in film school. Since graduating (and while in school) I’ve gone through super excited blogging periods to letting the cobwebs collect periods (like the 4 month hiatus preceding the last few posts).

Well over some drinks the other night with fellow film school alum, we’re joining forces to put all of our blogging efforts, experiences, and knowledge behind CC. Kind of like Captain Planet, minus Ma-Ti.

We’re all basically in the same situation, twenty somethings who are beyond “grab a video camera and let’s make a YouTube video for our friends” and are trying to find our place and make our way into the film world.

So, in no special order, the additions to CC are:

IMG_0833.JPGCherie Saulter

Cherie was a Co-Producer on the award winning indie film Medicine for Melancholy. She’s also an Associate Producer on the upcoming SXSW film The Myth of the American Sleepover.

She just finished shooting her directorial debut feature film No Matter What and is currently editing it.

IMG_0829.JPGAndrew Hevia

Andrew is the editor for Cherie’s movie, No Matter What, which they’ve both been toiling on for the past month or so. He also has some web series in the works.

Carlos Rivera

Carlos is…laughing right now. He’s done a bunch of set work in New York and Miami, and lately has been producing segments for the Miami PBS affiliate WLRN, along with Andrew and I.

IMG_0831.JPGSo this is your A-Team. Or C-Team, for coffee. Even though Andrew is a tea man.

Anyways, stay tuned for more posts, more often, and more podcasts!

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