Heading to Park City

Heading to Park City

Exciting news to kick off 2015. Papa Machete, the film I co-produced in Haiti, will be having its US Premiere at Sundance. Dolphin Lover, a short doc I produced, shot, and edited, will be having its World Premiere at Slamdance.

Excited to finally head out to Park City for the festivals with two projects. Though coming from an 80 degree beachy winter in Miami I’ve got a lot of cold weather gear to buy.

Papa Machete trailer below.

Dolphin Lover to come soon, but let’s just leave it with the Slamdance logline. The true story of a man with a porpoise.

Shooting with the Sony FS700 & R5 4K Recorder in Haiti – Video Update

Shooting with the Sony FS700 & R5 4K Recorder in Haiti – Video Update

We finally got most of the gear up and running and kicked it up a notch to start filming the machete fighters in slow motion on a steadicam.

FS700-Setup

To break down the setup, we’ve got the Sony FS700 (left) owned by DP Richard Patterson. This camera was released with a future 4K upgrade in the pipeline which just came out. The 4K requires two additional devices, the HXR-IFR5 interface (center) and the AXS-R5 recorder (right). The IFR5 interface connects to the camera through the SDI port and the recorder holds the SSD media for recording. AbelCine rented the R5 recorder to the production at a discount and the IFR5 was purchased from Sony.

To me, more appealing than the 4K from this setup is the ability to shoot unlimited slow-motion at 2K at 120 fps. Normally when shooting slow-motion on the FS700 you only have an 8 second window to record the action, then you have to wait for the camera to buffer the recording before you can shoot again. It’s a lot of down time and not ideal for recording machete fights with subjects not used to the technicalities of film production. This setup lets us record slow-motion at 2K (or 4K with buffering) for as much memory as we have, which is 20 minutes of action on a 512 GB SSD card.

I’m writing a full hands-on review of the experience when we’re done with production for Filmmaker Magazine, so there will be lots more information about the camera and some of the issues we ran into. There will also be a lot of insight from Richard, who will have worked with the setup firsthand for two weeks.

Follow the project on Facebook and help support it at the GoFundMe page.

If you have any questions, feel free to leave a comment and we’ll work on answering it.

Production in Haiti – Rum, Sugar Cane Fields, and Cap Rouge

Production in Haiti – Rum, Sugar Cane Fields, and Cap Rouge

Been in Haiti for the past few days for the currently untitled Haitian Machete Fencing Project. It’s a short doc on Tiré Machet, a martial art of machete fencing mastered and taught by professor Avril.

It’s going to be very cinematically shot. We’ve got the Sony FS700 with the just released 4k recorder along with a Steadicam. Been having some issues with noise with the Sony, which will hopefully be resolved today. I’m writing up a full report of shooting with the 4k for Filmmaker once the shoot is done.

Over the weekend we went location scouting. Found this amazing 200+ year old fort on top of the mountain named Cap Rouge, explored some sugar cane fields right next to our hotel, and met with the professor for the first time. After sipping some rum he gave us all our first lesson.

You can check out some of the highlights in our first video update.

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